First, I want to thank Jacqeline (http://jacquelinedejongarts.blogspot.com/2007/04/thinking-about-blogger.html for also honoring Fembellish Journal with the Thinking Blogger Award. I was totally blown away by the first three, but four. . .I’m speechless.
And my thanks also goes out to Corina (http://corinaj.wordpress.com/2007/04/19/love-is-all-around/) for her kind words regarding Fembellish Journal. She not only wrote a special post but created her own “Gilded Gardens” fiber art.
All this combined with the continual flow of encouraging comments really touches me. Please know how much I appreciate your acts of kindness. N. Rene
In part three we worked on reverse couching using one line of straight stitches and perle cotton threads. Now we will double the fun and use two line of stitching.
In many cases you can use a double needle to accomplish the following techniques. I didn’t use one on the In Bloom project because I needed the stitches to be further apart. However, these techniques work best when a double needle is used since the stitches are always evenly spaced.
The first double stitch technique produces a serpentine design. The method is almost identical to the second technique in part three, only this time you are passing the needle under two stitches rather than one. If you use invisible thread for the machine stitches, you will only see the perle cottons. (I have used a dark thread for the machine stitches so that you can see the technique more easily.)
After stitching a row of straight stitches with a double needle at 4.0 mm, thread a tapestry needle with perle cotton. Bring the thread up at the bottom and then position your needle with the point facing the first stitch on the right. Pass the needle under the two two machine stitches.
Now reposition your needle with the point facing the next row of stitches from the left. Pass the needle under the next two machine stitches, working from left to right. Continue working in right to left and left to right motions until your pattern is complete.
To work serpentine beading, use the same method, only thread a bead onto your needle before passing it under the stitches. Do this on the right and the left. You can also mix the techniques and produce some very special effects.
The last technique produces a straight row of beading with diagonal lines of perle cotton showing between the beads. Begin by bringing your thread up to the surface on the bottom left, crossing over to the right, and then passing your thread under the first (single) stitch (working from right to left). Thread a bead onto your needle and then pass the needle under the second stitch on the left (working right to left).
Position your needle with the point facing the left hand line of stitches. Pass the needle horizontally under both stitches of the next row.
Thread another bead onto your needle and pass the needle under the second free stitch of the left hand row of stitches, working in a diagonal motion.
Repeat these two steps until your row of stitches is complete. Although each bead will have a diagonal slant, the row will be straight and even.
This technique can also be worked with beads added on the horizontal stitches rather than the diagonal stitches. That is how I worked some of the beading on the In Bloom Three project.
You can also work the pattern in diagonal stitches alone, threading every other stitch with beads.
In part five, I’ll share with you how I created the flower using free motion embroidery, silk roving, and beads.
N. Rene West